Eugene Aram — Volume 01 by Lytton, Edward Bulwer Lytton, Baron, 1803-1873

In this edition I have made one alteration somewhat more important than mere verbal correction. On going, with maturer judgment, over all the evidences on which Aram was condemned, I have convinced myself that though an accomplice in the robbery of Clarke, he was free both from the premeditated design and the actual deed of murder. The crime, indeed, would still rest on his conscience and insure his punishment, as necessarily incidental to the robbery in which he was an accomplice, with Houseman; but finding my convictions, that in the murder itself he had no share, borne out by the opinion of many eminent lawyers by whom I have heard the subject discussed, I have accordingly so shaped his confession to Walter.

Perhaps it will not be without interest to the reader if I append to this preface an authentic specimen of Eugene Aram's composition, for which I am indebted to the courtesy of a gentleman by whose grandfather it was received, with other papers (especially a remarkable "Outline of a New Lexicon"), during Aram's confinement in York prison. The essay I select is, indeed, not without value in itself as a very curious and learned illustration of Popular Antiquities, and it serves also to show not only the comprehensive nature of Aram's studies and the inquisitive eagerness of his mind, but also the fact that he was completely self-taught; for in contrast to much philological erudition, and to passages that evince considerable mastery in the higher resources of language, we may occasionally notice those lesser inaccuracies from which the writings of men solely self-educated are rarely free,--indeed Aram himself, in sending to a gentleman an elegy on Sir John Armitage, which shows much, but undisciplined, power of versification, says, "I send this elegy, which, indeed, if you had not had the curiosity to desire, I could not have had the assurance to offer, scarce believing I, who was hardly taught to read, have any abilities to write."

THE MELSUPPER AND SHOUTING THE CHURN.